TIME Magazineのインスタグラム(time) - 8月15日 21時08分
When @lilnasx's debut single “Old Town Road” exploded online early this year and began climbing the charts, industry prognosticators anticipated a quick rise and fall. It’s now the longest-running No. 1 song in history, having occupied the top spot on the Billboard Hot 100 for 19 weeks. It’s been streamed more than a billion times on @spotify alone. All of this has made “Old Town Road” the defining sound of the year, a slurry, genre-busting interpolation of two quintessential American musical genres: #country and hip-hop. Yet even from his perch, writes Andrew R. Chow, Lil Nas is still an outlier. There aren’t many black stars in country #music; there aren’t many queer stars in #hiphop. There aren’t many queer black stars in American culture, point-blank. The fact that Lil Nas has risen so far and so fast testifies not only to his skill, but also to the erosion of the systems that for generations kept #artists like him on the sidelines. At a time when debates about categorization and identity are ubiquitous, Lil Nas X represents a more unified vision of the future, one in which a young #queer black man can dominate popular #culture by being unapologetically himself. “Everything lined up for this moment to take me to this place,” he says now. “Not to sound self-centered, but it feels like I’m chosen, in a way, to do this stuff.” Read more at the link in bio. Photograph by @kelianne for TIME; animation by @brobeldesign; “Old Town Road” (p) 2019 Columbia Records, a division of Sony Music Entertainment
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