Rolling Stoneのインスタグラム(rollingstone) - 8月19日 08時38分

Woodstock 50 had nearly every resource a festival could ask for: a storied brand name, financial backing from a multinational communications company, and agents eager to sign up their artists for sizable paychecks. So how did it turn into a disaster? A Rolling Stone special report looks into all the court fights and behind-the-scenes drama of what went wrong. Read it at the link in our bio. Illustration by Sean McCabe

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jeshkambb I'd rather go to the original site a sit there silently, meditate or listen/watch the original '69 show, than listen to Miley or modern hip hop (no offence to wonderful old school hip hop). So I think it's good they failed. Anyway, why not come up with something more innovative like a huge 3D projection at the 1969 site etc?

bdoninger01 Michael Lang f'ed up the first Woodstock (look it up), f'ed up the '99 version, and then f'ed up this. Should be no surprise to anyone. And that's why talent bailed and he was denied permits. The original was a fluke miracle and should be left as the unique moment in history that it was.

afrikar1978 Originally it was about music peace and love...activism and standing up for freedom and against war. Now these festivals are about money 'profit per ticket' and corporate sponsorship 'brands and advertising' and regulations...sad times

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afrikar1978 Originally it was about music peace and love...activism and standing up for freedom and against war. Now these festivals are about money 'profit per ticket' and corporate sponsorship 'brands and advertising' and regulations...sad times

nickroyal_official I didn’t go to my families Woodstock reunion in bethel,NY this yr because of this. First time in 8 yrs that i missed it. I didn’t wanna deal with all the people showing up for the wrong reasons.

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