蓮沼執太のインスタグラム(shuta_hasunuma) - 10月22日 12時15分
Mary Obering "Window Series, 1973"
In a 1974 ArtForum review of the Artists Space exhibition, art critic Roberta Smith wrote that Obering was “involved with a current kind of painting, one which involves visibility of process or construction.” She rendered the Window Series paintings in sumptuous tones reminiscent of Italian Renaissance color palettes, an influence derived from her years of travel in Italy. Smith also observed that “the work vaguely suggests a semiabstract Classical landscape.” The series playfully calls to mind Leon Battista Alberti’s Renaissance notion of the framed painting as a window onto the world, and perhaps, functions more directly as representations of the large industrial shutters of Obering’s first SoHo loft that looked over Wooster Street.
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2019/10/22