ロサンゼルスカウンティ美術館さんのインスタグラム写真 - (ロサンゼルスカウンティ美術館Instagram)「🔎 Take a close look at these two works, one by famous Ming dynasty painter Qiu Ying, and one by another artist who meticulously copied his work. What are the similarities and differences you see? Can you tell which one is "real," and which one isn't? Qiu Ying is the most forged and copied painter in Chinese history. For every authenticated work, hundreds if not thousands of forgeries exist, and are still being produced today. The first painting, long known to be a copy of Qiu Ying's real work, "Harp Player in a Pavilion," is signed as being produced by a member of the Qiu Family. While it is a copy, there's a deeper story here: it's actually a work by Qiu Ying's daughter, Qiu Zhu, emulating her father's work in order to learn his techniques and style. See both works side by side at LACMA and decide for yourself "Where the Truth Lies." __ Shown here: 1. Qiu Zhu, "Playing the Harp," after Qiu Ying, Ming dynasty, mid-16th century, photo courtesy the Walters Art Museum. 2. Qiu Ying, "Harp Player in a Pavilion," Ming dynasty, c. 1530–35, © Museum of Fine Arts, Boston. Both works on view in "Where the Truth Lies: The Art of Qiu Ying," at LACMA through May 17.」2月23日 6時48分