Vogue Runwayさんのインスタグラム写真 - (Vogue RunwayInstagram)「In 2016 and 2017, the @studiomuseum in Harlem hosted an exhibit, "Black Cowboy," curated by Amanda Hunt. The show aimed to shift the narrative of the noble white American cowboy, instead looking to the rich histories of black riders keeping and training horses, while also demonstrating that the tradition is still very much alive today. In a new interview, Hunt looks back on her exhibition and how it relates to the horseback protestors demonstrating today. "The black cowboy was something that I had in my head for a long time. I saw my first black cowboy in Philadelphia, where I grew up, when I was 16. It was a kid my age or younger, who just magically appeared out of nowhere. It was a stunning sight," she tells Vogue. "When I moved to Harlem to work at the Studio Museum, I had a chance encounter with another black cowboy, who was not on a horse, but on the train. He had a silk bomber jacket that read 'Federation of Black Cowboys.' He was the coolest cat you’d ever imagine. [At that moment] I was reminded of how much I’d wanted to make a show about this. It felt really important to honor an invisible history." Read more about the history of Black cowboys at the link in bio. Photo by @rontarver.」6月7日 5時30分 - voguerunway

Vogue Runwayのインスタグラム(voguerunway) - 6月7日 05時30分


In 2016 and 2017, the @studiomuseum in Harlem hosted an exhibit, "Black Cowboy," curated by Amanda Hunt. The show aimed to shift the narrative of the noble white American cowboy, instead looking to the rich histories of black riders keeping and training horses, while also demonstrating that the tradition is still very much alive today. In a new interview, Hunt looks back on her exhibition and how it relates to the horseback protestors demonstrating today. "The black cowboy was something that I had in my head for a long time. I saw my first black cowboy in Philadelphia, where I grew up, when I was 16. It was a kid my age or younger, who just magically appeared out of nowhere. It was a stunning sight," she tells Vogue. "When I moved to Harlem to work at the Studio Museum, I had a chance encounter with another black cowboy, who was not on a horse, but on the train. He had a silk bomber jacket that read 'Federation of Black Cowboys.' He was the coolest cat you’d ever imagine. [At that moment] I was reminded of how much I’d wanted to make a show about this. It felt really important to honor an invisible history." Read more about the history of Black cowboys at the link in bio. Photo by @rontarver.


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