ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 6月12日 07時37分

The New Museum and MIT Press announce our co-publication of "Saturation: Race, Art, and the Circulation of Value," an anthology of essays, conversations, and artist portfolios that confront questions at the intersection of race, institutional life, and representation. The fourth installment in the Museum's Critical Anthologies of Art and Culture series, "Saturation" is edited by C. Riley Snorton and Hentyle Yapp. Read more and purchase at the link in our bio ☝️
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While controversies involving race and the art world are often discussed in terms of diversity and representation, "Saturation" offers another approach, taking into account not only questions of racial representation but also issues of structural change. Through a range of essays and conversations, the book suggests that current paradigms cannot encompass the complex realities of race, whereas the term "saturation" is better able to provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including unruly, decolonized, and queer visual practices that resist disciplinary boundaries, and approaches to thinking with and alongside blackness and indigeneity.
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@mitpress @c.rileysnorton
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Cover image: Kent Monkman, Miss Chief’s Wet Dream, 2018. Acrylic on canvas, 114 x 288 in (365.8 x 731.5 cm). Collection of the Art Gallery of Nova Scotia. Courtesy the artist @kentmonkman

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