ガゴシアン・ギャラリーのインスタグラム(gagosian) - 6月23日 01時46分

#GagosianOnline: In the paintings and drawings featured in the fifth and final cycle of Basel Online, tensions between expressivity and restraint, as well as satire and sincerity, come to the fore.

By introducing visual components—such as his signature “slugs” of paint scraped from other paintings—into new compositions, Mark Grotjahn confounds established notions of recycled and original content.

Ed Ruscha turns attention toward language as a visual subject, isolating a single word from its typical context to examine its formal, yet nonetheless evocative, qualities.

Takashi Murakami creates hybrid characters—such as his iconic Mr. DOB—and stylistic mash-ups melding Japanese manga, anime, and nineteenth-century woodblock printing to interrogate the threshold between fine art and mass production.

Albert Oehlen plays on conventions of artistic subjectivity by implementing a range of seemingly incompatible painterly marks in a single work.

Finally, John Currin uses classical painterly techniques to depict a subject who complicates the stereotypical binary of seductress and Madonna, long-propagated as the only possible gender roles for women depicted throughout Western art history. Follow the link in our bio for more information or to make an inquiry.
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#ArtBasel #Gagosian (1) Mark Grotjahn, “Untitled (Smalls Capri 52.71),” 2020 © Mark Grotjahn; (2) Ed Ruscha, “Honk,” 1964 © Ed Ruscha; (3) Takashi Murakami, “Double Helix within Dark Matter,” 2014 © 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved; (4) Albert Oehlen, “Untitled,” 2020 © Albert Oehlen; (5) John Currin, “St. Glenda,” 2019 © John Currin

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