グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「#WorkoftheWeek: Several of Rufino Tamayo’s paintings from 1946–47 showed primitive figures gesticulating in terror, awe, or longing at the patterns of astral and planetary orbits, including “Heavenly Bodies” (1946), pictured above. The lines traversing the sky may represent light emanating from stars or the tails of meteors, and may also indicate the mental constructs that join stars in constellations—they dissect the rich blue sky into flat planes, while also providing the illusion of movement through a vast space.  The purity of the sky’s geometry is contrasted with the unevenly curving contours of a human figure, while the setting sun is evoked by a red strip on the hill, reflected on the figure’s face.  __ #RufinoTamayo #GuggenheimCollection #Guggenheim #MuseumFromHome」6月23日 7時57分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 6月23日 07時57分


#WorkoftheWeek: Several of Rufino Tamayo’s paintings from 1946–47 showed primitive figures gesticulating in terror, awe, or longing at the patterns of astral and planetary orbits, including “Heavenly Bodies” (1946), pictured above. The lines traversing the sky may represent light emanating from stars or the tails of meteors, and may also indicate the mental constructs that join stars in constellations—they dissect the rich blue sky into flat planes, while also providing the illusion of movement through a vast space.

The purity of the sky’s geometry is contrasted with the unevenly curving contours of a human figure, while the setting sun is evoked by a red strip on the hill, reflected on the figure’s face.

__
#RufinoTamayo #GuggenheimCollection #Guggenheim #MuseumFromHome


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