ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#FromTheLibrary: An excerpt of “Giuseppe Penone: The Inner Life of Forms” is available for online reading through July 30 as part of the From the Library series.   The selected essay, “Sculpting Time” by archaeologist and art historian Salvatore Settis, draws Penone’s work into dialogue with classical and preclassical history. The full monograph, edited by Carlos Basualdo of the Philadelphia Museum of Art, is the most comprehensive survey of the artist’s oeuvre to date.   The book consists of two components: a three-part, in-depth dialogue between Basualdo and Penone and essays by Emily Braun, Tim Ingold, Rémi Labrusse, and Settis; and twelve individual booklets containing eleven new texts by longtime Penone scholar and collaborator Daniela Lancioni that explore the core themes and interests embodied in the artist’s work. Follow the link in our bio.  __________ #Giuseppe Penone #Gagosian  “Giuseppe Penone: The Inner Life of Forms” (New York: Gagosian, 2018)」7月2日 4時33分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 7月2日 04時33分


#FromTheLibrary: An excerpt of “Giuseppe Penone: The Inner Life of Forms” is available for online reading through July 30 as part of the From the Library series.

The selected essay, “Sculpting Time” by archaeologist and art historian Salvatore Settis, draws Penone’s work into dialogue with classical and preclassical history. The full monograph, edited by Carlos Basualdo of the Philadelphia Museum of Art, is the most comprehensive survey of the artist’s oeuvre to date.

The book consists of two components: a three-part, in-depth dialogue between Basualdo and Penone and essays by Emily Braun, Tim Ingold, Rémi Labrusse, and Settis; and twelve individual booklets containing eleven new texts by longtime Penone scholar and collaborator Daniela Lancioni that explore the core themes and interests embodied in the artist’s work. Follow the link in our bio.
__________
#Giuseppe Penone #Gagosian
“Giuseppe Penone: The Inner Life of Forms” (New York: Gagosian, 2018)


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