ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「"Blossom, by Sanford Biggers, is a monumental artwork that invites reflection on the violent history of white supremacy. In the installation, a heavy tree grows through a grand piano, its keys moving on their own to play a rendition of Billie Holiday’s Strange Fruit. When I teach from this piece, students are always curious about its surreal elements: How did this tree get here? Where did this piano come from, and who’s playing it? What’s this song? Teachers can leverage their students’ innate curiosity about the work, creating space for them to celebrate legacies of Black creativity and resilience, reflect on continuities between the past and the present, and confront the violent reality of racism in America." — Michael Reback (@myreback), Teacher Services Coordinator⁠ #bkmeducation⁠⠀ ⁠⠀ Head to link in bio for a free Teaching Resource featuring more questions for viewing, activities, and resources about this work.⁠⠀ ⁠⠀ Sanford Biggers (American, born 1970). Blossom, 2007. Steel, plastic and synthetic fibers, wood, MIDI player piano system, Zoopoxy, pigment, soil, modelling clay, polyurethane foam. Brooklyn Museum, Purchase gift of Toby Devan Lewis, Charles and Amber Patton, and an anonymous donor, gift of the Contemporary Art Council, and the Mary Smith Dorward Fund, 2011.10. © artist or artist's estate ⁠」7月5日 22時11分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 7月5日 22時11分


"Blossom, by Sanford Biggers, is a monumental artwork that invites reflection on the violent history of white supremacy. In the installation, a heavy tree grows through a grand piano, its keys moving on their own to play a rendition of Billie Holiday’s Strange Fruit. When I teach from this piece, students are always curious about its surreal elements: How did this tree get here? Where did this piano come from, and who’s playing it? What’s this song? Teachers can leverage their students’ innate curiosity about the work, creating space for them to celebrate legacies of Black creativity and resilience, reflect on continuities between the past and the present, and confront the violent reality of racism in America." — Michael Reback (@myreback), Teacher Services Coordinator⁠ #bkmeducation⁠⠀
⁠⠀
Head to link in bio for a free Teaching Resource featuring more questions for viewing, activities, and resources about this work.⁠⠀
⁠⠀
Sanford Biggers (American, born 1970). Blossom, 2007. Steel, plastic and synthetic fibers, wood, MIDI player piano system, Zoopoxy, pigment, soil, modelling clay, polyurethane foam. Brooklyn Museum, Purchase gift of Toby Devan Lewis, Charles and Amber Patton, and an anonymous donor, gift of the Contemporary Art Council, and the Mary Smith Dorward Fund, 2011.10. © artist or artist's estate ⁠


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