メトロポリタン美術館さんのインスタグラム写真 - (メトロポリタン美術館Instagram)「"Artists assume this big, mystical figure. I think it is not necessarily so. You can be a regular citizen and create something amazing."⁣⁣⁣ — Siah Armajani⁣⁣⁣ ⁣⁣⁣ Today, in honor of #SiahArmajani’s birthday, we’re flashing back to his 2019 retrospective shown at the @metbreuer. ⁣⁣ ⁣⁣ Tracing Armajani's practice from his days as a political activist in Tehran in the 1950s to more recent works—including his landmark Dictionary for Building series of thousands of small-scale architectural maquettes—"Siah Armajani: Follow This Line” explored the aesthetic of exile and asked what the role of public art in America might be today. ⁣⁣ ⁣⁣ ➡️ Tap the link in bio to hear from the artist himself when he joined us at The Met last year for an evening exploring his work.⁣ ⁣ 📸 Siah Armajani seated in his work “Sacco and Vanzetti Reading Room # 3” (1988), followed by images of "Siah Armajani: Follow This Line," including the work Dictionary for Building: The Garden Gate (1982–83) and cardboard models as part of Dictionary for Building (1974–1975).⁣ @walkerartcenter @mamco_geneve  ⁣ [Image descriptions: Siah Armajani sits next to a work of his art in the exhibition. A large red sculpture with wooden seat and blue and orange accents. A series of small cardboard sculptures displayed together.]⁣ ⁣ #MetBreuerMemories⁣ ⁣ #FlashbackFriday」7月11日 1時32分 - metmuseum

メトロポリタン美術館のインスタグラム(metmuseum) - 7月11日 01時32分


"Artists assume this big, mystical figure. I think it is not necessarily so. You can be a regular citizen and create something amazing."⁣⁣⁣
— Siah Armajani⁣⁣⁣
⁣⁣⁣
Today, in honor of #SiahArmajani’s birthday, we’re flashing back to his 2019 retrospective shown at the @metbreuer. ⁣⁣
⁣⁣
Tracing Armajani's practice from his days as a political activist in Tehran in the 1950s to more recent works—including his landmark Dictionary for Building series of thousands of small-scale architectural maquettes—"Siah Armajani: Follow This Line” explored the aesthetic of exile and asked what the role of public art in America might be today. ⁣⁣
⁣⁣
➡️ Tap the link in bio to hear from the artist himself when he joined us at The Met last year for an evening exploring his work.⁣

📸 Siah Armajani seated in his work “Sacco and Vanzetti Reading Room # 3” (1988), followed by images of "Siah Armajani: Follow This Line," including the work Dictionary for Building: The Garden Gate (1982–83) and cardboard models as part of Dictionary for Building (1974–1975).⁣ @walkerartcenter @mamco_geneve

[Image descriptions: Siah Armajani sits next to a work of his art in the exhibition. A large red sculpture with wooden seat and blue and orange accents. A series of small cardboard sculptures displayed together.]⁣

#MetBreuerMemories⁣
#FlashbackFriday


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