ガゴシアン・ギャラリーのインスタグラム(gagosian) - 7月24日 03時41分

#GagosianQuarterly: "This is the central event in Hantaï’s post-Mariales practice, the one that drives pliage’s continued becoming as method."
—Molly Warnock

Molly Warnock shares an excerpt from "Simon Hantaï and the Reserves of Painting" (Pennsylvania State University Press in 2020) in which she explores the painter’s developments in the late 1950s and early 1960s. Follow the link in our bio to read the piece.
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#Gagosian #SimonHantai
(1) Simon Hantaï, "M.A.4 (Mariale)," 1960; (2) Simon Hantaï, "M.C.7 (Mariale)," 1962. Artwork © Archives Simon Hantaï/ADAGP, Paris

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