ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianBroadcast: Gagosian is pleased to present the fourth and final chapter of “Broadcast: Alternate Meanings in Film and Video.” The online exhibition employs the innate immediacy of time-based art to spark reflection on the here and now.  This last chapter features historical films and videos by artists who worked at the forefront of their respective mediums during the late 1960s and ’70s. In “Television Delivers People,” Richard Serra subverts familiar audio and video conventions in order to expose the ways in which audiences are exploited within the economics of broadcast television. In contrast, Hannah Wilke turns the camera onto herself in “Gestures” as she enacts hundreds of repetitive facial expressions and gesticulations, manipulating her face as sculptural material in order to emphasize the ways that such actions both defy and become coded within societal conventions of representation.  In his 1969 film "Hard Core," Walter De Maria combines cinematographic methods drawn from experimental cinema along with Hollywood movie conventions to “tune in” to an alternative perspective on his surroundings in the Black Rock Desert of Nevada. Chris Burden’s "Big Wrench" (1980) presents the artist’s deadpan semiautobiographical account of his short-lived “love affair” with a tractor trailer, an alternative model to romantic obsessions that both dramatizes America’s infatuation with car culture and takes it to illogical ends. Watch the videos via the link in our bio.  __________ #Gagosian  (1) Richard Serra, "Television Delivers People," 1973 © 2020 Richard Serra/Artists Rights Society (ARS), New York; (2) Hannah Wilke, "Gestures," 1974 © 2020 Marsie, Emanuelle, Damon, and Andrew Scharlatt/Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Electronic Arts Intermix (EAI), New York; Alison Jacques Gallery, London; Marc Selwyn Fine Art, Los Angeles; (3) Walter De Maria, "Hard Core," 1969 © The Estate of Walter De Maria; (4) Chris Burden, "Big Wrench," (1980) © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York」8月2日 0時38分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 8月2日 00時38分


#GagosianBroadcast: Gagosian is pleased to present the fourth and final chapter of “Broadcast: Alternate Meanings in Film and Video.” The online exhibition employs the innate immediacy of time-based art to spark reflection on the here and now.

This last chapter features historical films and videos by artists who worked at the forefront of their respective mediums during the late 1960s and ’70s. In “Television Delivers People,” Richard Serra subverts familiar audio and video conventions in order to expose the ways in which audiences are exploited within the economics of broadcast television. In contrast, Hannah Wilke turns the camera onto herself in “Gestures” as she enacts hundreds of repetitive facial expressions and gesticulations, manipulating her face as sculptural material in order to emphasize the ways that such actions both defy and become coded within societal conventions of representation.

In his 1969 film "Hard Core," Walter De Maria combines cinematographic methods drawn from experimental cinema along with Hollywood movie conventions to “tune in” to an alternative perspective on his surroundings in the Black Rock Desert of Nevada. Chris Burden’s "Big Wrench" (1980) presents the artist’s deadpan semiautobiographical account of his short-lived “love affair” with a tractor trailer, an alternative model to romantic obsessions that both dramatizes America’s infatuation with car culture and takes it to illogical ends. Watch the videos via the link in our bio.
__________
#Gagosian
(1) Richard Serra, "Television Delivers People," 1973 © 2020 Richard Serra/Artists Rights Society (ARS), New York; (2) Hannah Wilke, "Gestures," 1974 © 2020 Marsie, Emanuelle, Damon, and Andrew Scharlatt/Licensed by VAGA at Artists Rights Society (ARS), New York. Courtesy Electronic Arts Intermix (EAI), New York; Alison Jacques Gallery, London; Marc Selwyn Fine Art, Los Angeles; (3) Walter De Maria, "Hard Core," 1969 © The Estate of Walter De Maria; (4) Chris Burden, "Big Wrench," (1980) © Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York


[BIHAKUEN]UVシールド(UVShield)

>> 飲む日焼け止め!「UVシールド」を購入する

1,924

17

2020/8/2

キャロライナ・ヘレラのインスタグラム
キャロライナ・ヘレラさんがフォロー

ガゴシアン・ギャラリーを見た方におすすめの有名人