テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「#ArtWords: Rooted in Constructivism and termed by artist Laszlo Moholy-Nagy, 'The New Vision' was a photography movement which developed in the 1920s.  ​With the idea of changing the structures of society through art, Constructivism suggested that artists should incorporate machinery, architectural engineering, and the power of image into their works. Moholy-Nagy coined the expression 'The New Vision', stating that the technique could capture the outside world in a way that the human eye could not.  ​ ​The 1920s and 1930s was an experiemental time for photography, where unconventional techniques such as abstract photograms, photomontages and combinations of photography and graphic design suddenly flourished. Japanese photographer Iwao Yamawaki, a student at the Bauhaus School, incorporated the structural lines of modernist architecture into his photography, implementing strong effects of light and shadow, and close-ups that zoom in on a single texture or repeated motif. ​ ​Iwao Yamawaki, Untitled (Modernist architecture); In Dessau (Modernist architecture); Untitled (Interior, Bauhaus, Dessau) 1930–2」8月30日 1時50分 - tate

テート・ギャラリーのインスタグラム(tate) - 8月30日 01時50分


#ArtWords: Rooted in Constructivism and termed by artist Laszlo Moholy-Nagy, 'The New Vision' was a photography movement which developed in the 1920s.

​With the idea of changing the structures of society through art, Constructivism suggested that artists should incorporate machinery, architectural engineering, and the power of image into their works. Moholy-Nagy coined the expression 'The New Vision', stating that the technique could capture the outside world in a way that the human eye could not.

​The 1920s and 1930s was an experiemental time for photography, where unconventional techniques such as abstract photograms, photomontages and combinations of photography and graphic design suddenly flourished. Japanese photographer Iwao Yamawaki, a student at the Bauhaus School, incorporated the structural lines of modernist architecture into his photography, implementing strong effects of light and shadow, and close-ups that zoom in on a single texture or repeated motif.

​Iwao Yamawaki, Untitled (Modernist architecture); In Dessau (Modernist architecture); Untitled (Interior, Bauhaus, Dessau) 1930–2


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