グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「“Painting today certainly seems very vibrant, very alive, very exciting...And the direction that painting seems to be taking here is away from the easel—into some sort of...wall painting.” —Jackson Pollock, 1950 ⠀ #WorkoftheWeek: In 1943, Jackson Pollock created what would be his largest-ever painting: “Mural.” Although Pollock was not yet consistently working with canvases on the floor—pouring and dripping paint from all sides, as he would by 1947—”Mural” began to challenge traditional notions of the medium, combining the technique of easel painting with that of large-scale-mural production. Informed partly by the Surrealists’ exploration of the unconscious mind, Pollock experimented in “Mural” with real and mythical imagery, dynamic gestures, and a vibrant palette, thereby further developing his idiosyncratic style as it approached abstraction. ⠀ “Mural” is now on view as part of “Away from the Easel: Jackson Pollock’s Mural,” a focused exhibition dedicated to the painting, which is now in the collection of the University of Iowa Stanley Museum of Art, Iowa City, as a result of Peggy Guggenheim’s donation. “Mural” hasn’t been on view in New York in more than 20 years, and this exhibition marks its debut in the city following the completion of an extensive research and restoration project undertaken by the Getty Conservation Institute and the J. Paul Getty Museum, Los Angeles. ⠀ __ “Mural” (1943), University of Iowa Museum of Art; Reproduced with permission from The University of Iowa; © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York Photo: David Heald #JacksonPollock #PollockMural #Guggenheim #AwayFromtheEasel」10月6日 9時52分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 10月6日 09時52分


“Painting today certainly seems very vibrant, very alive, very exciting...And the direction that painting seems to be taking here is away from the easel—into some sort of...wall painting.” —Jackson Pollock, 1950

#WorkoftheWeek: In 1943, Jackson Pollock created what would be his largest-ever painting: “Mural.” Although Pollock was not yet consistently working with canvases on the floor—pouring and dripping paint from all sides, as he would by 1947—”Mural” began to challenge traditional notions of the medium, combining the technique of easel painting with that of large-scale-mural production. Informed partly by the Surrealists’ exploration of the unconscious mind, Pollock experimented in “Mural” with real and mythical imagery, dynamic gestures, and a vibrant palette, thereby further developing his idiosyncratic style as it approached abstraction.

“Mural” is now on view as part of “Away from the Easel: Jackson Pollock’s Mural,” a focused exhibition dedicated to the painting, which is now in the collection of the University of Iowa Stanley Museum of Art, Iowa City, as a result of Peggy Guggenheim’s donation. “Mural” hasn’t been on view in New York in more than 20 years, and this exhibition marks its debut in the city following the completion of an extensive research and restoration project undertaken by the Getty Conservation Institute and the J. Paul Getty Museum, Los Angeles.

__
“Mural” (1943), University of Iowa Museum of Art; Reproduced with permission from The University of Iowa; © 2020 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York
Photo: David Heald
#JacksonPollock #PollockMural #Guggenheim #AwayFromtheEasel


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