Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「Thirst traps and social media algorithms have crystallised the contemporary nude as a consistent element of our everyday lives. Whether it’s @BellaHadid shot nude via FaceTime for @Jacquemus SS/20, or @Mowalola’s new accessories campaign, which featured models wearing nothing but a pair of boots and a handbag – the power and potency of the nude in its ability to push the boundaries of fashion photography, and culture as a whole, is formidable. But there are caveats. In western art, men have almost exclusively been behind the lens when capturing women in the nude, bringing to question the power dynamics at play between the photographer, the model and the spectator (who is also usually assumed to be male). While that’s not to say that the work of photographers like Helmut Newton is inherently objectifying to women, as architects of our visual world, a diversification of gazes is vital if we are to reflect a society that is racially, bodily and sexually inclusive. Read the full text by @SamiraLarouci in the October issue of Vogue Italia and via link in bio. Photo by @DanaScruggs.」10月6日 20時33分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 10月6日 20時33分


Thirst traps and social media algorithms have crystallised the contemporary nude as a consistent element of our everyday lives. Whether it’s @ベラ・ハディッド shot nude via FaceTime for @ジャックムス SS/20, or @Mowalola’s new accessories campaign, which featured models wearing nothing but a pair of boots and a handbag – the power and potency of the nude in its ability to push the boundaries of fashion photography, and culture as a whole, is formidable. But there are caveats. In western art, men have almost exclusively been behind the lens when capturing women in the nude, bringing to question the power dynamics at play between the photographer, the model and the spectator (who is also usually assumed to be male). While that’s not to say that the work of photographers like Helmut Newton is inherently objectifying to women, as architects of our visual world, a diversification of gazes is vital if we are to reflect a society that is racially, bodily and sexually inclusive. Read the full text by @SamiraLarouci in the October issue of Vogue Italia and via link in bio.
Photo by @DanaScruggs.


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