ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 10月8日 06時12分
A taut net of slants and diagonals, in “Painterly Architectonic,” #LiubovPopova arranged areas of white, red, black, gray, and pink to suggest planes laid one on top of the other over a white ground, like papers in a collage.
Popova helped introduce into Russian art the Cubist and Futurist ideas she encountered on trips to western Europe. In 1916, she became a Suprematist, a term coined by #KazimirMalevich to describe an art that rejected representation in painting, focusing instead on pure artistic feeling. In the wake of the Russian Revolution, in 1917, many artists took up Malevich’s aim, believing that a revolutionary society demanded a radically new artistic language.
Discover how artists including Popova, Malevich, Aleksandr Rodchenko, and more envisioned a new visual language in stride with a changed world in the #MoMACollection gallery Abstraction and Utopia.
Explore the gallery in our Stories and at the link in our bio.
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[Liubov Popova. “Painterly Architectonic.” 1917. Oil on canvas] #suprematism #geometricabstraction
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