ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「Speaking directly to the camera, artist Howardena Pindell recounts her experiences of racism and sexism as a Black woman in the United States. At times, she shifts to play the role of a white woman, gaslighting Pindell and claiming she is “paranoid.” This groundbreaking video critiques both institutionalized racism, and the mostly white feminist movement of the time. In 1972, Pindell cofounded A.I.R. Gallery (@airgallery), one of the first artist-run spaces for women in the U.S., and Free, White and 21 was first shown in 1980’s Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, curated by Ana Mendieta. This intensely personal and political film, whose title comes from a rebellious catchphrase often heard in Hollywood movies of the 1930s and 1940s, was a stark departure from the abstract works on paper for which Pindell was primarily known.⁠⠀ ⁠⠀ See "Free, White and 21" in full as part of our Art on the Stoop: Sunset Screenings series, showing each Wednesday, Thursday, and Sunday through November 8, now starting at 5pm. #SunsetScreenings⁠⠀ ⁠⠀ Howardena Pindell (born Philadelphia, 1943). Free, White and 21, 1980 [Stills]. Single-channel video (color, sound): 12 min., 15 sec. Courtesy of Garth Greenan Gallery. Brooklyn Museum; Gift of Garth Greenan, 2020」10月22日 4時26分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 10月22日 04時26分


Speaking directly to the camera, artist Howardena Pindell recounts her experiences of racism and sexism as a Black woman in the United States. At times, she shifts to play the role of a white woman, gaslighting Pindell and claiming she is “paranoid.” This groundbreaking video critiques both institutionalized racism, and the mostly white feminist movement of the time. In 1972, Pindell cofounded A.I.R. Gallery (@airgallery), one of the first artist-run spaces for women in the U.S., and Free, White and 21 was first shown in 1980’s Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, curated by Ana Mendieta. This intensely personal and political film, whose title comes from a rebellious catchphrase often heard in Hollywood movies of the 1930s and 1940s, was a stark departure from the abstract works on paper for which Pindell was primarily known.⁠⠀
⁠⠀
See "Free, White and 21" in full as part of our Art on the Stoop: Sunset Screenings series, showing each Wednesday, Thursday, and Sunday through November 8, now starting at 5pm. #SunsetScreenings⁠⠀
⁠⠀
Howardena Pindell (born Philadelphia, 1943). Free, White and 21, 1980 [Stills]. Single-channel video (color, sound): 12 min., 15 sec. Courtesy of Garth Greenan Gallery. Brooklyn Museum; Gift of Garth Greenan, 2020


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