テート・ギャラリーさんのインスタグラム写真 - (テート・ギャラリーInstagram)「#ArtWords: A portrait is a representation of a person. Going back at least to ancient Egypt, portraiture flourished as an art form and a way of documenting someone's identity. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone.  But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, uniqueness, wealth, taste, temperament, mood or other qualities of the sitter. They are also a culmination of a relationship between two people—the artist and the sitter—and this is communicated in wonderfully subtle and subconscious ways in the resulting work. Self-portraits are tricky because the artist is required to look at themselves objectively, which can be an intense process of self-discovery and inner connection. In many instances, artist's self portraits are the form in which they have come to be remembered - offering insights into their lives, surroundings, and even their state of mind.  Here are a selection of portraits and self-portraits from Tate's collection, shown in the order they were made.  Gwen John, Chloë Boughton-Leigh 1904–8 Aubrey Williams, Self-portrait 1956, Tate Archive Sir Stanley Spencer, Self-Portrait 1959 David Hockney, Portrait of Mother I 1985 Sarah Lucas, Self Portrait with Mug of Tea 1993 R.B. Kitaj, Self-portrait 2007 Akram Zaatari, Hayat Sanioura. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani 2007 Claudette Johnson, Standing Figure with African Masks 2018」10月29日 23時38分 - tate

テート・ギャラリーのインスタグラム(tate) - 10月29日 23時38分


#ArtWords: A portrait is a representation of a person. Going back at least to ancient Egypt, portraiture flourished as an art form and a way of documenting someone's identity. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone.

But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, uniqueness, wealth, taste, temperament, mood or other qualities of the sitter. They are also a culmination of a relationship between two people—the artist and the sitter—and this is communicated in wonderfully subtle and subconscious ways in the resulting work. Self-portraits are tricky because the artist is required to look at themselves objectively, which can be an intense process of self-discovery and inner connection. In many instances, artist's self portraits are the form in which they have come to be remembered - offering insights into their lives, surroundings, and even their state of mind.

Here are a selection of portraits and self-portraits from Tate's collection, shown in the order they were made.

Gwen John, Chloë Boughton-Leigh 1904–8
Aubrey Williams, Self-portrait 1956, Tate Archive
Sir Stanley Spencer, Self-Portrait 1959
David Hockney, Portrait of Mother I 1985
Sarah Lucas, Self Portrait with Mug of Tea 1993
R.B. Kitaj, Self-portrait 2007
Akram Zaatari, Hayat Sanioura. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani 2007
Claudette Johnson, Standing Figure with African Masks 2018


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