Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「More than describing a quality or measuring an intensity, today beauty has taken on the appearance of an achievement: what is beautiful is the search for beauty. In this corner of history in an emergency, grace does not elude us. Rather, it hides better. Compared to before, it is found elsewhere: "Beauty is no longer an attribute. It is a resource. It exists in the new dynamics of interpersonal relations, which have changed and, in part, become digitized," says Francesco Billari, a sociologist, demographer, pro-rector of Bocconi University in Milan and former professor of Oxford University. "The other, no longer so accessible, becomes splendid. Precious. It is up to us to try to build a bond through some means." Beauty, when it is not contact, is its sublimation. In the era of constraints, quarantine obligations and the imminent danger of curfews, a direction can already be drawn: beauty will have the strength of transgression. @PatriziaSandrettoReRebaudengo, a member of the international boards of MoMA in New York, the Tate Gallery in London and other world temples of aesthetics, agrees that asking oneself about beauty is difficult because it is difficult to capture. Even just by definition. "The history of art shows that beauty is a concept in motion that has changed and continues to change. It moves, it broadens its boundaries, it exists in many real and virtual environments in which we live, showing them in a new light. Beauty changes its skin, it appears on a screen and enters the digital sphere, it becomes fluid and accessible." Beauty exists and is alive. It flows camouflaged, fluid and, if possible, it is even more impalpable. It oscillates between being widespread and fragmented. It is following psychological trajectories, deriving from emotivity driven by current events. Read the full text by Marco Morello in the November Issue of Vogue Italia and via link in bio. @DevonAoki photographed by @Nick_Knight for @AlexanderMcQueen, 1997.」11月4日 21時04分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 11月4日 21時04分


More than describing a quality or measuring an intensity, today beauty has taken on the appearance of an achievement: what is beautiful is the search for beauty. In this corner of history in an emergency, grace does not elude us. Rather, it hides better. Compared to before, it is found elsewhere: "Beauty is no longer an attribute. It is a resource. It exists in the new dynamics of interpersonal relations, which have changed and, in part, become digitized," says Francesco Billari, a sociologist, demographer, pro-rector of Bocconi University in Milan and former professor of Oxford University. "The other, no longer so accessible, becomes splendid. Precious. It is up to us to try to build a bond through some means." Beauty, when it is not contact, is its sublimation. In the era of constraints, quarantine obligations and the imminent danger of curfews, a direction can already be drawn: beauty will have the strength of transgression. @PatriziaSandrettoReRebaudengo, a member of the international boards of MoMA in New York, the Tate Gallery in London and other world temples of aesthetics, agrees that asking oneself about beauty is difficult because it is difficult to capture. Even just by definition. "The history of art shows that beauty is a concept in motion that has changed and continues to change. It moves, it broadens its boundaries, it exists in many real and virtual environments in which we live, showing them in a new light. Beauty changes its skin, it appears on a screen and enters the digital sphere, it becomes fluid and accessible." Beauty exists and is alive. It flows camouflaged, fluid and, if possible, it is even more impalpable. It oscillates between being widespread and fragmented. It is following psychological trajectories, deriving from emotivity driven by current events.
Read the full text by Marco Morello in the November Issue of Vogue Italia and via link in bio.
@デヴォン青木 photographed by @ニック・ナイト for @アレキサンダー・マックイーン, 1997.


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