ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 12月7日 00時49分

With its embrace of vernacular culture, Peter Saul’s work stands as a key link between young figurative painters and older groups of artists like the Hairy Who in Chicago and the Bay Area Funk artists, who similarly operated outside the dominant critical modes of their time. Historically, his work also connects to the Surrealist landscapes of Salvador Dalí and Roberto Matta, and to the biting political caricatures of artists such as Francisco Goya and William Hogarth. Often championed by West Coast artists like Mike Kelley and Jim Shaw, Saul’s work, pushed for so long to the margins of the art world, now proves to be a perfect expression of our horrific present. On view through January 3.
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#hairywho #salvadordali #robertmatta #franciscogoya #williamhogarth #mikekelley #jimshaw
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Image: Peter Saul, Custer’s Last Stand #1, 1973. Acrylic on canvas, 89 1/4 x 150 1/4 in (227.3 x 382.2 cm). Collection KAWS

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