ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「Lorna Simpson’s Cure/Heal creates a striking interplay between ideas of self-image and self-care. The artist, known for her poetic approach and Black feminist practice, photographed a pair of high-heeled shoes atop a crushed velvet surface. Invoking the homophone of “heel” and “heal,” Simpson places beauty standards, gender, and identity into dialogue with notions of care and healing. The high-heeled shoes—as contested symbols of empowerment and patriarchal expectations of femininity—interrupt the title's binary of “cure” (an immediate fix) and “heal” (a lifelong and winding process), suggesting not two disconnected experiences, but the range of ways that womxn experience, navigate, practice, and advocate for care.⁠⠀ ⁠⠀ In the final weeks of 2020, we’re taking time to find comfort, hope, and healing with artworks in the Museum’s collection. #ReflectionsonHealing⁠⠀ ⁠⠀ Lorna Simpson (American, born 1960). Cure/Heal, 1 of 10 Prints from the Portfolio 10: Artist as Catalyst, 1992. Brooklyn Museum, Emily Winthrop Miles Fund, 1993.47.13. © artist or artist's estate」12月18日 7時07分 - brooklynmuseum

ブルックリン美術館のインスタグラム(brooklynmuseum) - 12月18日 07時07分


Lorna Simpson’s Cure/Heal creates a striking interplay between ideas of self-image and self-care. The artist, known for her poetic approach and Black feminist practice, photographed a pair of high-heeled shoes atop a crushed velvet surface. Invoking the homophone of “heel” and “heal,” Simpson places beauty standards, gender, and identity into dialogue with notions of care and healing. The high-heeled shoes—as contested symbols of empowerment and patriarchal expectations of femininity—interrupt the title's binary of “cure” (an immediate fix) and “heal” (a lifelong and winding process), suggesting not two disconnected experiences, but the range of ways that womxn experience, navigate, practice, and advocate for care.⁠⠀
⁠⠀
In the final weeks of 2020, we’re taking time to find comfort, hope, and healing with artworks in the Museum’s collection. #ReflectionsonHealing⁠⠀
⁠⠀
Lorna Simpson (American, born 1960). Cure/Heal, 1 of 10 Prints from the Portfolio 10: Artist as Catalyst, 1992. Brooklyn Museum, Emily Winthrop Miles Fund, 1993.47.13. © artist or artist's estate


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