グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「“Having been a painter, I thought, what if I just took one of Pollock’s paintings, a painting that I really liked a lot, and I said, what if I tried to draw this Pollock three-dimensionally off the wall in strips of rubber?”—Richard Serra  Serra created “Belts” (1966–67) by arranging rubber material on nails in the wall, a process he compared to drawing in space. Serra’s tangles resemble the dominant curves in Jackson Pollock’s “Mural” (1943).  “Belts” is on view now in #KnottedTornScattered, presented in conjunction with Pollock's monumental painting. Plan your visit at guggenheim.org/knottedtornscattered.  © 2020 Richard Serra / Artists Rights Society (ARS), New York #RichardSerra #Guggenheim #WorkoftheWeek」12月29日 0時45分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 12月29日 00時45分


“Having been a painter, I thought, what if I just took one of Pollock’s paintings, a painting that I really liked a lot, and I said, what if I tried to draw this Pollock three-dimensionally off the wall in strips of rubber?”—Richard Serra

Serra created “Belts” (1966–67) by arranging rubber material on nails in the wall, a process he compared to drawing in space. Serra’s tangles resemble the dominant curves in Jackson Pollock’s “Mural” (1943).

“Belts” is on view now in #KnottedTornScattered, presented in conjunction with Pollock's monumental painting. Plan your visit at guggenheim.org/knottedtornscattered.

© 2020 Richard Serra / Artists Rights Society (ARS), New York
#RichardSerra #Guggenheim #WorkoftheWeek


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