ガゴシアン・ギャラリーのインスタグラム(gagosian) - 1月9日 05時14分

#GagosianQuarterly: In this first installment of a two-part essay, John Elderfield tracks the oscillating states of unification and separation that Édouard Manet’s "The Execution of Maximilian" has endured since its creation, in 1868. Read the article via the link in our bio, and keep an eye out for part two tomorrow.
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#EdouardManet #Gagosian @nationalgallery
(1) Édouard Manet, The Execution of Maximilian, 1867–68, National Gallery, London, Bought 1918; (2) Fernand Lochard, photograph of Édouard Manet’s "The Execution of Maximilian," December 1883, National Gallery, London

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