Magnum Photosさんのインスタグラム写真 - (Magnum PhotosInstagram)「@rafal.milach: "Power structures are either invisible to us or we choose not to see them. I try to find different ways of deconstructing these ideas."⁠ .⁠ Though Rafal Milach initially tackled subjects through a traditional documentary perspective, his later projects draw on a more abstract approach, as he attempts to deconstruct global systematic structures. Whether taking photographs, making award-winning photobooks or repurposing historical ephemera, the various mediums Milach engages with aim to give the viewer the tools to question the world around them. ⁠ .⁠ In this 2018 interview, Rafal Milach discusses his artistic approach, in which he uses a variety of mediums to unpick the transitionary state of the former Eastern Bloc.⁠ .⁠ Read the story at the link in bio.⁠ .⁠ PHOTO: “The First March of Gentlemen” is a fictitious narration composed of authentic stories. Historical events related to the town of Wrzesnia came to be the starting point for reflection on the protest and disciplinary mechanisms. In the series of collages, the reality of the 1950s Poland ruled by the communists blends with the memory of the Wrzesnia children strike from the beginning of the 20th century. This shift in time is not just a coincidence, as the problems which the project touches upon are universal, and may be seen as a metaphor for the contemporary social tensions. The project includes archive photos by Wrzesnia photographer Ryszard Szczepaniak. Wrzesnia. Poland. 2017. ⁠ .⁠ © @rafal.milach/#MagnumPhotos」1月21日 3時02分 - magnumphotos

Magnum Photosのインスタグラム(magnumphotos) - 1月21日 03時02分


@rafal.milach: "Power structures are either invisible to us or we choose not to see them. I try to find different ways of deconstructing these ideas."⁠
.⁠
Though Rafal Milach initially tackled subjects through a traditional documentary perspective, his later projects draw on a more abstract approach, as he attempts to deconstruct global systematic structures. Whether taking photographs, making award-winning photobooks or repurposing historical ephemera, the various mediums Milach engages with aim to give the viewer the tools to question the world around them. ⁠
.⁠
In this 2018 interview, Rafal Milach discusses his artistic approach, in which he uses a variety of mediums to unpick the transitionary state of the former Eastern Bloc.⁠
.⁠
Read the story at the link in bio.⁠
.⁠
PHOTO: “The First March of Gentlemen” is a fictitious narration composed of authentic stories. Historical events related to the town of Wrzesnia came to be the starting point for reflection on the protest and disciplinary mechanisms. In the series of collages, the reality of the 1950s Poland ruled by the communists blends with the memory of the Wrzesnia children strike from the beginning of the 20th century. This shift in time is not just a coincidence, as the problems which the project touches upon are universal, and may be seen as a metaphor for the contemporary social tensions. The project includes archive photos by Wrzesnia photographer Ryszard Szczepaniak. Wrzesnia. Poland. 2017. ⁠
.⁠
© @rafal.milach/#MagnumPhotos


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