ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「Pop art comes home in our fourth-floor collection gallery, Domestic Disruption.  With postwar economies booming and individual purchasing power on the rise, the international consumer landscape of the 1960s was full of new products that suddenly seemed essential to modern life and the modern home, from washing machines to TVs.  For artists like Tom Wesselmann, everyday objects became a subject of inspiration, contemplation, and subversion. His "Still Life #57" is a larger-than-life tableau of items you might find in the common kitchen.  Works in this gallery by turns celebrate and critique consumerism, reimagining the items that populate our personal spaces. Though many invoke familiar imagery, they don’t all offer comfort as artists propose uncanny scenarios, challenge gender stereotypes, or inflate small objects into enormous versions of themselves.  Explore the gallery in our Stories, and book your ticket to see it in person at the link in our bio. — Tom Wesselmann. "Still Life #57." 1969-70. Oil on canvas and base of acrylic paint on carpet, in six sections.© Tom Wesselmann/Licensed by VAGA, New York. Photo by Gus Powell.  #MoMACollection #MoMANYC #PopArt #TomWesselman @tom_wesselmann」2月17日 9時11分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 2月17日 09時11分


Pop art comes home in our fourth-floor collection gallery, Domestic Disruption.

With postwar economies booming and individual purchasing power on the rise, the international consumer landscape of the 1960s was full of new products that suddenly seemed essential to modern life and the modern home, from washing machines to TVs.

For artists like Tom Wesselmann, everyday objects became a subject of inspiration, contemplation, and subversion. His "Still Life #57" is a larger-than-life tableau of items you might find in the common kitchen.

Works in this gallery by turns celebrate and critique consumerism, reimagining the items that populate our personal spaces. Though many invoke familiar imagery, they don’t all offer comfort as artists propose uncanny scenarios, challenge gender stereotypes, or inflate small objects into enormous versions of themselves.

Explore the gallery in our Stories, and book your ticket to see it in person at the link in our bio.

Tom Wesselmann. "Still Life #57." 1969-70. Oil on canvas and base of acrylic paint on carpet, in six sections.© Tom Wesselmann/Licensed by VAGA, New York. Photo by Gus Powell. #MoMACollection #MoMANYC #PopArt #TomWesselman @tom_wesselmann


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