ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月8日 04時17分


Explore the past and future of music and sound art at the Museum.

Throughout the 20th century, MoMA has been a home for varied approaches to sonic art forms—from the premiere of the Moog synthesizer in 1969 and Vladimir Ussachevsky’s first tape-music concert in the United States, to a performance retrospective of Kraftwerk and three Looking at Music exhibitions.

Most musical performances took place in MoMA’s garden, atrium, or other spaces, and—until the founding of the Media and Performance Department in the early 2000s—often existed outside of the curatorial program. These performances—by such historic names as John Cage, The Art Ensemble of Chicago, and Sonny Rollins—existed alongside curatorial commitments to narratives around modern art.

In anticipation of the 2023 season of the Hyundai Card Performance Series, read about sound at MoMA on #MoMAMagazine, link in bio.


[1] The Joe Newman Quintet performs at a Jazz in the Garden program, July 13, 1961. Photographic Archive. The Museum of Modern Art Archives, New York [2] Healing sound baths held in conjunction with “Guadalupe Maravilla: Luz y fuerza,” The Museum of Modern Art, New York, October 30, 2021–October 30, 2022. Healers: Guadalupe Maravilla, Hilary Ramos, and Sam Xu. Digital image © 2023 The Museum of Modern Art, New York. Photo: Julieta Cervantes [3] View of the performance, Robert Moog and the Moog Synthesizer. Jazz in the Garden Program. August 28, 1969. Photographic Archive. The Museum of Modern Art Archives, New York [4] Installation view, “Projects: Laurie Anderson,” The Museum of Modern Art, New York, September 16–November 12, 1978. Photographic Archive. The Museum of Modern Art Archives, New York [5] Kevin Beasley performing “I Want My Spot Back” as part of “Some sweet day,” The Museum of Modern Art, New York, October 17–November 14, 2012. Photo: Julieta Cervantes [6] Closeup view of Suzanne Ciani’s Buchla 200e Series electronic music instrument. Courtesy the artist


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