Vogueさんのインスタグラム写真 - (VogueInstagram)「Not many jobs involve five-hour deep dives for buttons in tiny vintage treasure troves nestled by the Sacré Coeur. But then working in “The Crown’s” costume department is not just any day job. As the show continues to focus on Princess Diana, costume director, Amy Roberts, and head buyer and associate costume designer, Sidonie Roberts, landed on a so-called “Diana algorithm”—a neat formula that helped them decide what the late Princess would have worn today—to help them nail a wardrobe that was relentlessly pored over by the press. Clearance issues, which make replicating certain royal looks legally difficult, also allowed the costumers to think outside the box in terms of dressing—particularly when it came to jewelry. Tap the link in bio to learn more, including why Princess Diana’s jewelry was a symbol of her growing independence.」11月17日 9時15分 - voguemagazine

Vogueのインスタグラム(voguemagazine) - 11月17日 09時15分


Not many jobs involve five-hour deep dives for buttons in tiny vintage treasure troves nestled by the Sacré Coeur. But then working in “The Crown’s” costume department is not just any day job. As the show continues to focus on Princess Diana, costume director, Amy Roberts, and head buyer and associate costume designer, Sidonie Roberts, landed on a so-called “Diana algorithm”—a neat formula that helped them decide what the late Princess would have worn today—to help them nail a wardrobe that was relentlessly pored over by the press. Clearance issues, which make replicating certain royal looks legally difficult, also allowed the costumers to think outside the box in terms of dressing—particularly when it came to jewelry. Tap the link in bio to learn more, including why Princess Diana’s jewelry was a symbol of her growing independence.


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