ブルックリン美術館さんのインスタグラム写真 - (ブルックリン美術館Instagram)「John Dowd touted iconography through collage and xerography. 🖨️⁠ ⁠ In 1973, the New York-based artist and graphic commandeered a Xerox machine, copying nearly 250 images from popular publications (mostly front covers), including Disney and DC comics, teen-idol rags, music periodicals, fan club newsletters, counterculture magazines, gay liberation tracts, and more. ⁠ ⁠ A key figure in the correspondence art scene, Dowd’s leveraged juxtaposition in his work as a way to generate new narrative work that bridged the personal, cultural and political, often accompanied by his perverse sense of humor. ⁠ ⁠ “I really like pictures in sequence, facing each other on opposite pages,” Dowd was quoted saying. “Then you can say something.”⁠ ⁠ See more of Dowd’s work, including zines like “John Down Fanny Club” and “Fanzini” created with longtime collaborator John Jack Baylin, through March 31, 2024. ⁠ ⁠ 📄 John Dowd. “Summertime Supplement,” 1970. → “A Meeting of the John Dowd Fanny Club Was Held,” 1973. → “Disneyboys/Deliverance,” 1972. → “John of Dowdaland” mailer, ca. 1972. Photocopy, 11 × 8 1/2 in. (27.9 × 21.6 cm). Morris and Helen Belkin Art Gallery, University of British Columbia, Morris/Trasov Archive. © Luke and Noel Dowd.⁠ ⁠ #ZinesBkM #JohnDowd #Zines #Zinester」12月13日 3時01分