Happy birthday, #PeteTownshend! "This seemed to be the biggest thing in my life: my fucking nose, man. Whenever my dad got drunk, he'd come up to me and say, 'Look son, you know looks aren't everything' and shit like this... I know it's huge and of course it became incredible and I became an enemy of society," Townshend told @RollingStone in 1968. "I had to get over this thing. I've done it, and I never believe it to this day, but I do not think about my nose any more... At that time, it was the reason I did everything. It's the reason I played the guitar — because of my nose. The reason I wrote songs was because of my nose, everything, so much. I eventually admitted something in an article where I summed it up far more logically in terms of what I do today. I said that what I wanted to do was distract attention from my nose to my body and make people look at my body, instead of at my face — turn my body into a machine. But by the time I was into visual things like that anyway, I'd forgotten all about my nose and a big ego trip and I thought, 'Well, if I've got a big nose, it's a groove and it's the greatest thing that can happen because, I don't know, it's like a lighthouse or something. The whole trip had changed by then anyway. What is interesting is the fact that it was me versus society, until I could convince them that there was more to me than what they thought.'" From the September 28th, 1968 issue of RS. Photograph by @baronwolman #theWho

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Rolling Stoneのインスタグラム(rollingstone) - 5月19日 22時15分


Happy birthday, #PeteTownshend! "This seemed to be the biggest thing in my life: my fucking nose, man. Whenever my dad got drunk, he'd come up to me and say, 'Look son, you know looks aren't everything' and shit like this... I know it's huge and of course it became incredible and I became an enemy of society," Townshend told @Rolling Stone in 1968. "I had to get over this thing. I've done it, and I never believe it to this day, but I do not think about my nose any more... At that time, it was the reason I did everything. It's the reason I played the guitar — because of my nose. The reason I wrote songs was because of my nose, everything, so much. I eventually admitted something in an article where I summed it up far more logically in terms of what I do today. I said that what I wanted to do was distract attention from my nose to my body and make people look at my body, instead of at my face — turn my body into a machine. But by the time I was into visual things like that anyway, I'd forgotten all about my nose and a big ego trip and I thought, 'Well, if I've got a big nose, it's a groove and it's the greatest thing that can happen because, I don't know, it's like a lighthouse or something. The whole trip had changed by then anyway. What is interesting is the fact that it was me versus society, until I could convince them that there was more to me than what they thought.'" From the September 28th, 1968 issue of RS. Photograph by @baronwolman #theWho


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