Magnum Photosのインスタグラム(magnumphotos) - 6月7日 05時09分

“I remembered the 1930 photograph by Martin Munkacsi of three backlit kids running towards the foamy waves of Lake Tanganyika: Cartier-Bresson said it had inspired his work. In my picture, the children’s movement seems broken down into its successive phases, as in a Muybridge photograph; one child still has a foot on the river bank, others are flying all the way up in the air; several are touching the river’s surface. The river is like a murky mirror that reflects their shadows, grouped in a perfect triangle. In the 1960s, most Magnum photographers, except for Ernst Haas, used black and white, in part because magazines did not reproduce color well, but when I went to Brazil I was astounded by the light and color, so similar to Morocco where I had spent my youth. My response was to start shooting in Kodachrome 2. The film was slow but perfect because of its resistance to heat and humidity. As of that year, color became an essential component to my work: color was my decisive moment.” — Bruno Barbey
Buy Bruno Barbey’s ‘decisive moment’ as a signed, museum-quality print for $100 via the Magnum shop in the #MAGNUMSQUARE PRINT SALE. Link in bio. © #brunobarbey/#magnumphotos

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