Magnum Photosのインスタグラム(magnumphotos) - 6月7日 05時36分


“Probably, no photographer has influenced me for as long as Henri Cartier-Bresson. For some 50 years, I’ve been drawn to his early, pre-war work with its surreal ambiguity. However, ever since I first saw my father’s copy of The Decisive Moment in the late 1960s, I’ve been uneasy with the title. The notion of a ‘decisive moment’ seems just too pat, too unpoetic for such a complicated vision. Years later, it was gratifying to discover that the original French title was Images à la Sauvette—’Images on the Sly’—a humbler notion more in the spirit of his early street photographs, work that embraces the mystery and uncertainty of collaborating with the world. ‘It is the photo that takes you,’ as he once said. There are many photographs of mine that have ‘taken’ me. I chose Havana, 1993 because Cuba, then, seemed suspended in time, echoing the feel of the Spanish streets in the 1930s that Cartier-Bresson photographed so memorably. I suspect that the Cartier-Bresson I knew would have been skeptical of the color of this homage to him— but I’d like to think his younger, surrealistic self would have at least appreciated the two boys in the background with that soccer ball hovering overhead, out of reach forever.” — @webb_norriswebb
Buy Alex Webb’s submission to the #MAGNUMSQUARE PRINT SALE for $100, signed, via the Magnum Shop. Link in bio.
© #AlexWebb / #MagnumPhotos


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