ニューヨーク・タイムズのインスタグラム(nytimes) - 6月30日 02時01分

@vincestaples is no one’s savior. As one of the most prolific, consistent and prodigious rappers to emerge in recent years, he’s already been held up as a last-gasp protector of many things thought to be endangered: hip-hop lyricism, West Coast gangster rap, in-the-trenches protest songs, social-media authenticity and so on. He wants no part of it. “I just make the music,” the soon-to-be 24-year-old from Long Beach, California, said recently, “and people draw the parallels.” Since surfacing as a teenage affiliate of @ofwgkta, @vincestaples has released 2 major-label albums and 2 EPs, each with a cohesive sound and exhaustive thematic concept that extends to surrealist videos and artwork. His latest LP, “Big Fish Theory,” trades the minimalist ’90s homage of his double-disc 2015 debut album, “Summertime ‘06,” for the electronic, industrial dance music cacophony favored, at times, by #KanyeWest and @xdannyxbrownx. “I wouldn’t want to repeat my steps — I want something different every time,” he said. “A lot of artists are like that: Kanye is like that; Donald Glover is like that; Tyler, the Creator. That’s definitely what I want to do.” @coolwaves photographed #VinceStaples in Los Angeles. Visit the link in our profile to read the full interview.

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