ニューヨーク・タイムズのインスタグラム(nytimes) - 7月15日 01時39分

One of the juicier observations about the new British period drama “Lady Macbeth” — which isn’t about Lady Macbeth at all — came from a critic who wrote that the film “plunges a cold, sharp knife into the back of bonnet dramas.” This is partly because of the story’s noirish plot and its defiant, lusty antiheroine, who finds herself married off to the much older, impotent and bilious son of a wealthy, equally bilious old man. “Lady Macbeth” takes place almost entirely at one location, in and around a castle that the protagonist, Katherine (@florencepugh), has been forbidden to leave. “We tried to make her as young and kind of excited by life as possible in the beginning, so it’s virtually impossible not to love and support her,” said @florencepugh, who was photographed here by @andrewwhitey. “You’re never quite sure whether she is a bloody brilliant lady, or a kid good at playing a grown-up.” Invariably, the film has been repeatedly described as feminist, which @florencepugh said is well and good. But, she told @carabuckley8, “Part of me goes, ‘Yes, let’s champion that word and use it all over.’ And another part of me goes, ‘Why, why do we need it?’ She’s a woman who goes and gets what she wants, and yes gets a man in the meantime. She’s so amazing we don’t need to put a label on it.”

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