ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 12月7日 03時00分

In the early 1970s, Stephen Shore was eager to create images that would be more in tune with his time. He decided to turn to color photography, a technique that was then still largely overlooked by art photographers. In March 1972, he began taking snapshots of everyday life, embarking on a road trip that summer. For two months he cataloged his everyday existence: unremarkable buildings, main streets, highway intersections, hotel rooms, television screens, people’s faces, toilet seats, unmade beds, a variety of ornamental details, plates of food, shop windows, inscriptions, and commercial signs.
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Explore the five-decade career of one of the most significant photographers of our time in #StephenShore, now on view.
mo.ma/stephenshore
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Image Credits:
[1] Stephen Shore. “Amarillo, Texas, August 1973.” 1973. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York.
[2] Stephen Shore. “Clovis, New Mexico, June 1972.” 1972. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York.
[3] Stephen Shore. “Grand Canyon, June 1972.” 1972. Chromogenic color print, printed 2017. Courtesy the artist and 303 Gallery, New York.

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