ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 1月24日 04時07分

Since the late 1960’s, #DavidHammons has explored American identity in all of its complexity—its history, its representations, and its possibilities—from his perspective as a black artist living in New York. From the basketball hoop in “High Falutin’” to the empty bottles of “Night Train,” Hammons resists a signature style in favor of consistent experimentation with a wide range of materials, most taken from or referring to the street.
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#TheLongRunMoMA showcases daring invention sustained by artists long into their careers. Learn more at mo.ma/thelongrun.
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Works by David Hammons:
[1] “High Falutin'.” 1990. Metal (some parts painted with oil), oil on wood, glass, rubber, velvet, plastic, and electric light bulbs. Robert and Meryl Meltzer Fund and purchase. © 2018 David Hammons
[2] Foreground: “Untitled (Night Train).” 1989. Glass, silicone glue, and coal. Gift of the Hudgins Family in memory of Lawrence D. "Butch" Morris. © 2018 David Hammons; Background: “Out of Bounds.” 1995-96. Dirt on paper in artist's frame, with basketball. Gift of the Friends of Contemporary Drawing, The Friends of Education of The Museum of Modern Art, and Peter and Eileen Norton. © 2018 David Hammons
[3] “Untitled.” 2010. Synthetic polymer paint on canvas with plastic. Gift of Mr. and Mrs. Nathan L. Halpern and bequest of Richard S. Zeisler (both by exchange). © 2018 David Hammons.

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