ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 2月2日 02時19分

For the 1960s generation of artists, how a work was made and how it was experienced became as important as its visual characteristics. A generation later, their fixation on process continued, but many of the artists began to incorporate narrative elements in their works, at times alluding to mysticism, mythology, or apocalyptic visions.
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#TheLongRunMoMA showcases daring invention sustained by artists long into their careers—from #LeeBontecou’s hanging sculpture evoking the vastness of the cosmos, to #MelvinEdwards’s “Lynch Fragment” series deploying abstract symbols that serve as reminders of the history of slavery in the United States. Learn more at mo.ma/thelongrun.
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Featured works:
[1] Foreground: Lee Bontecou. “Untitled.” 1980-98. Welded steel, porcelain, wire mesh, canvas, grommets, and wire. Gift of Philip Johnson (by exchange) and the Nina and Gordon Bunshaft Bequest Fund. © 2018 Lee Bontecou. Background, left: Richard Serra. “Out-of-Round X.” 1999. Paintstick on paper. Gift of the artist. © 2018 Richard Serra / Artists Rights Society (ARS), New York.
[2 ]Melvin Edwards. “Lynch Fragment series.” 1986-89. Welded steel. Purchase. © 2018 Melvin Edwards.
[3] Geta Brătescu. “Medea's Hypostases III” (detail). 1980. Drawing with sewing machine on textile. The Modern Women's Fund. © 2018 Geta Brătescu.

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