グッゲンハイム美術館のインスタグラム(guggenheim) - 3月9日 02時11分

Simone Leigh’s broad-ranging interests in ethnography, modernism, the African diaspora, and feminism cohere in her series of ceramic portrait busts, of which “Georgia Mae,” 2017 is a part. These sculptures, like all of Leigh’s work, celebrate the Black female body as a “repository of lived experience” and interrogate how it has been depicted and defined throughout American history. This abstracted torso is crafted from glazed terra cotta with tiny porcelain roses forming the headpiece.
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