Magnum Photosのインスタグラム(magnumphotos) - 9月14日 22時00分

2018 Magnum nominee @rafal.milach grew up in Poland during the collapse of the Soviet Union and as a result his work often uses the transformation of the former Eastern Bloc as a lens through which to address wider issues. Though he initially tackled subjects through a traditional documentary perspective, his later projects draw on a more abstract approach, as he attempts to deconstruct global systematic structures. Whether taking photographs, making photobooks or repurposing historical ephemera, the various mediums Milach engages with aim to give the viewer the tools to question the world around them.
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Today on magnumphotos.com, Milach discusses the cyclical nature of history and humanity and why he is fearful for the future. Link in bio.
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PHOTO: One of the interiors of the Alphabetic Tower. In 2013, the Rustavi 2 Broadcasting Company, which supported the then president of Georgia, Micheil Saakashvili, had a television studio there. That same year, Saakashvili’s party lost the parliamentary election and the former president was formally accused of appropriating government funds. The Rustavi 2 editorial department was deserted overnight, becoming a giant trap for birds. Dozens of rock sparrows flew into it through a small opening in the wall. Once they were trapped inside, a combination of heat and starvation killed them. In 2013, president Mikheil Saakashvili was ousted and all his personal projects of accelerated change in Georgia were put on hold. Facade-like modernization covered the greatest number of political prisoners in the entire post-soviet region. The series of images traces the abandoned dream of a man with almost unlimited power in his country. Batumi, Georgia. 2013
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© @rafal.milach/#MagnumPhotos

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