Artists often used photography to help craft their public personas. See what some of your favorite creatives look like in "Face to Face: Portraits of Artists" and then find some of their work on view in our galleries. • "Fernand Léger," 1941, by Arnold Newman. “The City," 1919, by Fernand #Léger © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris. "Toulouse-Lautrec Painting #ToulouseLautrec," c. 1892 (negative); c. 1910–30 (print), by Maurice Guibert. “At the Moulin Rouge: The Dance," 1889–90, by Henri de Toulouse-Lautrec. “Henri Matisse, Nice," 1932, by Albert Eugene Gallatin. “Woman in Blue," 1937, by #HenriMatisse © Succession H. #Matisse, Paris / Artists Rights Society (ARS), New York.

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フィラデルフィア美術館のインスタグラム(philamuseum) - 9月30日 23時58分


Artists often used photography to help craft their public personas. See what some of your favorite creatives look like in "Face to Face: Portraits of Artists" and then find some of their work on view in our galleries.
•
"Fernand Léger," 1941, by Arnold Newman. “The City," 1919, by Fernand #Lger © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris. "Toulouse-Lautrec Painting #ToulouseLautrec," c. 1892 (negative); c. 1910–30 (print), by Maurice Guibert. “At the Moulin Rouge: The Dance," 1889–90, by Henri de Toulouse-Lautrec. “Henri Matisse, Nice," 1932, by Albert Eugene Gallatin. “Woman in Blue," 1937, by #HenriMatisse © Succession H. #Matisse, Paris / Artists Rights Society (ARS), New York.


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