Photo by @CarltonWard | Just after sunset, Luke Fry drives past the milk barn to rake manure into fertilizer, one of the daily chores he and his twin brother Caleb do in the dark before and after school. On this night, Luke's girlfriend Rachel joins for the ride. This is the final image in a photo story I produced during the Missouri Photo Workshop. I applied wanting to reconnect with the fundamentals of photojournalism and push to develop a picture story around the lives of people I had never met in a place I didn’t know. After two years of chasing Florida panthers with camera traps nearly full time, it had become common for weeks to go by without holding a camera in my hands. So I set the high-tech equipment aside and went to Missouri with just one camera for an immersive experience that involved a lot of looking, listening and waiting. Each student was limited to just 400 photos for the week, with no deletions. When I am on assignment, I often shoot 1000 photos in a day. But the workshop leaders encouraged us to trust the process and to be intentional about the moments we tried to capture. By watching and waiting we would know when a moment was building and we should trust ourselves respond. By Wednesday evening I had watched the Fry brothers drive the tractor two previous times. But when I saw this sunset forming and heard the tractor coming on the third night, I started running down the hill, remembering the floodlights on the cab that could balance exposure with the western sky. Had I not been watching the farm work for two days, I wouldn’t have reacted when this moment presented itself. See the full story and inspiring work from other students through the link in my bio @carltonward. Thank you to my patient and insightful team leaders @billmarr and @wildhorsephotos and workshop leaders @kodakratz @davidreesphoto and Jim Curley. I can't wait to start incorporating lessons to my work in Florida. #MPW70 @mophotoworkshop

natgeoさん(@natgeo)が投稿した動画 -

ナショナルジオグラフィックのインスタグラム(natgeo) - 10月9日 20時30分


Photo by @CarltonWard | Just after sunset, Luke Fry drives past the milk barn to rake manure into fertilizer, one of the daily chores he and his twin brother Caleb do in the dark before and after school. On this night, Luke's girlfriend Rachel joins for the ride. This is the final image in a photo story I produced during the Missouri Photo Workshop. I applied wanting to reconnect with the fundamentals of photojournalism and push to develop a picture story around the lives of people I had never met in a place I didn’t know. After two years of chasing Florida panthers with camera traps nearly full time, it had become common for weeks to go by without holding a camera in my hands. So I set the high-tech equipment aside and went to Missouri with just one camera for an immersive experience that involved a lot of looking, listening and waiting. Each student was limited to just 400 photos for the week, with no deletions. When I am on assignment, I often shoot 1000 photos in a day. But the workshop leaders encouraged us to trust the process and to be intentional about the moments we tried to capture. By watching and waiting we would know when a moment was building and we should trust ourselves respond. By Wednesday evening I had watched the Fry brothers drive the tractor two previous times. But when I saw this sunset forming and heard the tractor coming on the third night, I started running down the hill, remembering the floodlights on the cab that could balance exposure with the western sky. Had I not been watching the farm work for two days, I wouldn’t have reacted when this moment presented itself. See the full story and inspiring work from other students through the link in my bio @carltonward. Thank you to my patient and insightful team leaders @billmarr and @wildhorsephotos and workshop leaders @kodakratz @davidreesphoto and Jim Curley. I can't wait to start incorporating lessons to my work in Florida. #MPW70 @mophotoworkshop


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