Erich Hartmann's widow selects an image from his 'Writing with Light - Photographs with a Laster' series. The estate-stamped print is available for $100 until Friday. Link in bio. . “Erich saw pictures everywhere; he was never without a camera and was always experimenting with what the camera and light could accomplish. For him, that did not mean after-the-fact darkroom manipulation. Instead, he sought to cause the camera to see what he saw, thereby transforming the object or situation. As he wrote for the opening of his first extensive exhibit on his ‘Writing with Light–Photographs with a Laser’ series, in 1978 (at the American Institute of Graphic Arts, New York): . ‘I have long been interested in making photographs in which the subject before me would be augmented (and therefore changed) by the introduction of an external factor. I believed that the combination of the two elements would transform commonplace and familiar objects and scenes into sometimes unpredictable and always personal statements. In this series the introduction of an unfamiliar way of using light (‘writing’ with a laser beam) into an ordinary situation (an empty room with a window view) seems to me to result in an image that is disquieting, questioning and ambiguous. [Here is] a private world of shapes, a transformation of everyday situations into moments of personal experience.’" - Ruth Bains Hartmann . PHOTO: Laser light "writing" on wall of empty room. New York City, USA. 1977 . © #ErichHartmann/#MagnumPhotos . #MAGNUMSQUARE #Crossings

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Erich Hartmann's widow selects an image from his 'Writing with Light - Photographs with a Laster' series. The estate-stamped print is available for $100 until Friday. Link in bio.
.
“Erich saw pictures everywhere; he was never without a camera and was always experimenting with what the camera and light could accomplish. For him, that did not mean after-the-fact darkroom manipulation. Instead, he sought to cause the camera to see what he saw, thereby transforming the object or situation. As he wrote for the opening of his first extensive exhibit on his ‘Writing with Light–Photographs with a Laser’ series, in 1978 (at the American Institute of Graphic Arts, New York):
.
‘I have long been interested in making photographs in which the subject before me would be augmented (and therefore changed) by the introduction of an external factor. I believed that the combination of the two elements would transform commonplace and familiar objects and scenes into sometimes unpredictable and always personal statements. In this series the introduction of an unfamiliar way of using light (‘writing’ with a laser beam) into an ordinary situation (an empty room with a window view) seems to me to result in an image that is disquieting, questioning and ambiguous. [Here is] a private world of shapes, a transformation of everyday situations into moments of personal experience.’" - Ruth Bains Hartmann
.
PHOTO: Laser light "writing" on wall of empty room. New York City, USA. 1977
.
© #ErichHartmann/#MagnumPhotos
.
#MAGNUMSQUARE #Crossings


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