ブルックリン美術館のインスタグラム(brooklynmuseum) - 11月2日 04時44分

The Black Power Movement in Los Angeles was heavily influenced by historical patterns of discrimination against African Americans and the confrontation between state and people that happened as a result. Artists such as Noah Purifoy and John Outterbridge repurposed street detritus from the Watts Rebellion of 1965 to make politically charged assemblage works, making beauty out of modern day ruins. Betye Saar used found objects to recreate altars and other spiritual motifs, and Melvin Edwards contorted welded metal to make sculptures that reflected the country’s history of racial violence. Overall, the strategy of making do with what one has is not solely modernist practice but can be traced to historical necessity due to sparse resources within the community, bringing forward an innate sense of creativity and mastery. #SoulofaNationBKM⠀
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Installation view, Soul of a Nation: Art in the Age of Black Power, Brooklyn Museum, September 14, 2018–February 3, 2019. (Photos @jonathandorado)

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