ブルックリン美術館のインスタグラム(brooklynmuseum) - 12月5日 23時21分

AfriCOBRA’s aesthetic vocabulary was marked by bright “coolade” colors and a kaleidoscopic style that often incorporated painted or printed language to anchor the meaning of images. These choices both countered European modes of art-making and appealed to broad Black audiences, offering an accessible message of strength and positivity. Subjects ranged from the Black family, as seen in Carolyn Lawrence’s “Uphold Your Men” ⇨ and “Black Children Keep Your Spirits Free,” ⇨ to political activists like Angela Davis in Wadsworth Jarrell’s “Revolutionary.” #SoulofaNationBKM ⠀
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Carolyn Lawrence (American, born 1940). Uphold Your Men, 1971. Screenprint on paper. Courtesy Lusenhop Fine Art. © Carolyn Mims Lawrence ⇨ and Black Children Keep Your Spirits Free, 1972. Acrylic on canvas. Courtesy of the artist. © Carolyn Mims Lawrence. (Photo: Michael Tropea) ⇨ Wadsworth A. Jarrell (American, born 1929). Revolutionary (Angela Davis), 1971. Acrylic and mixed media on canvas. Brooklyn Museum, Gift of R. M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harris, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.18. © Wadsworth A. Jarrell. ⠀

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