ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 4月20日 03時01分

Technology was never neutral for artist #HarunFarocki. In this video, the pioneering filmmaker collected images from military and industrial surveillance devices to explore the increasingly complex relationship between humans and hardware, battlefields and factories, war and capital.
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On the one hand, we see footage from aerial reconnaissance, targeting, and bombing strikes; on the other, scenes of material production, labor, and manufacturing. Farocki’s piece puts the body and the machine side by side, with the former being overtaken by the latter: the eye replaced by automated drones, cameras, and weapons. Now on view in #ArtTechMoMA.
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[Credit: Harun Farocki. “Eye/Machine I, Auge/Maschine I.” 2001. Two-channel video installation re-edited to single-channel video (color, sound). Committee on Film Funds. © 2019 Harun Farocki Filmproduktion]

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