Vogue Italiaのインスタグラム(vogueitalia) - 4月24日 01時03分

Our new #CasaVogue Issue is out. ‘Sol LeWitt, o del ritorno’ An article by @francescamuse about #SolLeWitt’s house in Connecticut photographed by @markhartman.
Behind the house was his refuge, the studio, an anonymous, almost hidden structure built in 1991. Here he worked alone, 365 days a year with obsessive discipline. “One of my favorite family stories to tell,” continues Carol. “I would say I was exhausted and wanted to go on vacation. He would respond that he had no need for a vacation, and I could go anywhere I wanted in the world with the children, on my own.” That is the type of person he was. “He would get up at 4 a.m., wait until 7 a.m. and walk downtown to get the paper, then read for about two hours. He would work from 9 a.m. until noon. He was off for lunch and would then go swim at the YMCA. In the afternoon, he usually picked up the kids from school. He would work either on the music collection [editor’s note: he had almost 4,000 audio cassettes meticulously catalogued and displayed in a systematic way on shelves, much like one of his wall paintings] or he would watch opera on videos. He had this very full intellectual life that nobody has time for.” This goes against the idea that, because he delegated many tasks to his numerous assistants, Sol didn’t do much, at least with his hands.
His studio is full of remnants that are reminders of encounters, loved ones and friendships with artists from the same era. There are newspaper clippings, self-portraits, tickets and drawings that cover the walls near his worktable, where his paintbrushes are still flecked with paint.
Keep reading the article in our new issue.

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