グッゲンハイム美術館のインスタグラム(guggenheim) - 5月29日 05時27分
In one of the most elaborate transformations of the Guggenheim ever conceived, in 2003 Matthew Barney brought all of the interconnected components of his renowned ʺCREMASTERʺ cycle (1994-2002) together for a major rotunda exhibition. For four months, the museum became an arena in which each ramp corresponded to one of the cycle's five stages. Moving through the space, visitors passed through a fantastical narrative that spiraled upward toward five screens hanging from the oculus like a sports arena's jumbotron, which displayed a filmed performance staged in the museum itself. Adorning the oculus was Barney's field emblem, a recurring symbol used in various iterations throughout the artist's film and sculptural works.
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Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!
Photos: David Heald
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