グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「#PrideMonth: “How is queerness articulated in historical contexts and in societies where your sexuality and what you desire is regulated? What do our beliefs about historical subjects imply about our understandings of intimacy, gender, and sexuality? Wu Tsang’s (@wu_tsang) films often portray alternative models of social relations and uncover hidden histories and narratives. Her film 'Duilian' (2016) uncovers the queer history of one of China's most famous poets, Qiu Jin. Drafted from the life of the Chinese revolutionary poet Qiu Jin (played by @boychild), Duilian strays from official narratives about the historical figure, and instead focuses on the intimate relationship between the poet and her friend and calligrapher, Wu Zhiying (played by the artist). Through acts of decoding and deliberate ‘mistranslation’ to established narratives, her film exposes ‘history’ as irrational and intimate, and rejects a construct of historical subjectivity that is devoid from passions and affects.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell)」6月23日 4時12分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 6月23日 04時12分


#PrideMonth: “How is queerness articulated in historical contexts and in societies where your sexuality and what you desire is regulated? What do our beliefs about historical subjects imply about our understandings of intimacy, gender, and sexuality? Wu Tsang’s (@wu_tsang) films often portray alternative models of social relations and uncover hidden histories and narratives. Her film 'Duilian' (2016) uncovers the queer history of one of China's most famous poets, Qiu Jin. Drafted from the life of the Chinese revolutionary poet Qiu Jin (played by @boychild), Duilian strays from official narratives about the historical figure, and instead focuses on the intimate relationship between the poet and her friend and calligrapher, Wu Zhiying (played by the artist). Through acts of decoding and deliberate ‘mistranslation’ to established narratives, her film exposes ‘history’ as irrational and intimate, and rejects a construct of historical subjectivity that is devoid from passions and affects.”—Assistant Curator, Xiaorui Zhu-Nowell (@xzhunowell)


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