テート・ギャラリーのインスタグラム(tate) - 7月3日 01時38分

'2016' depicts a boat sinking below the surface of the ocean. The seascape viewed from above mimics a photograph captured from a hovering press helicopter. #MaggiHambling painted this work in response to media images of asylum seekers in the Mediterranean Sea. ‘Boats were being abandoned by the traffickers and left to drift and disappear,’ she recalled. Hambling made this work over the course of 2016.

See the work on free display in Tate Britain's Walk Through British Art: #60Years Gallery.

[BIHAKUEN]UVシールド(UVShield) 更年期に悩んだら

moiracue My immediate question in this work is about the aestheticization of human suffering—which is problematically close to fetishization. It’s a pretty painting with nothing to suggest the real horror of forced migration. Horrific images themselves can tow the line between exploitation and righteous indignation—all in all, I’d rather see art by refugees themselves rather than presumably comfortable people expressing trite moral outrage to get attention.

kovalemveira ДА МИЛЛИ0Н РАЗ ПИШУ ОДНО И ТОЖЕ!! Кать, пока ничего не изменилось, я там же раб0тю, д0ма в инет, иимею ОТЛИЧНО вообще и не напрягаюсь) смтри мой инстт. БОЛЬШЕ ОТВЕЧАТЬ НЕБУДУ!!!

camdave Ah latching onto "migration" to promote painting, got it. Can she paint the traffickers the migrants paid $10k to attempt illegal entry?

ma.rianna8800 Pretty painting? Not to my eyes - with or without a priori knowledge

victorlake2 Wow love this painting, love the ripple effect on the surface

edyta.ubych It reminds me of my old photo. Plastic duck under the ice

>> 飲む日焼け止め！「UVシールド」を購入する