Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「‘GLAMORAMA 2020’ An essay by @breteastonellis in our DNA Issue. ‘Few people in the mid 90s, when ‘Glamorama’ is set, had access to the glamorous and enigmatic world of fashion. Except for the designers themselves and their models, fashion editors and certain celebrities, it was a closed-off world only glimpsed in magazines and the occasional video. The inaccessibility and exclusivity of the fashion world was what made it so attractive and so alluring. This world does not exist today. What would Glamorama look like today in a culture seemingly obsessed with inclusivity and the idea of group think over the individual and valuing ideology over aesthetics?’ Keep reading the essay by #BretEastonEllis via link in bio. ‘Makeover Madness’ by #StevenMeisel, Vogue Italia July 2005. #TheNextChapter #TheDNAissue」7月14日 18時58分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 7月14日 18時58分


‘GLAMORAMA 2020’ An essay by @breteastonellis in our DNA Issue. ‘Few people in the mid 90s, when ‘Glamorama’ is set, had access to the glamorous and enigmatic world of fashion. Except for the designers themselves and their models, fashion editors and certain celebrities, it was a closed-off world only glimpsed in magazines and the occasional video. The inaccessibility and exclusivity of the fashion world was what made it so attractive and so alluring. This world does not exist today. What would Glamorama look like today in a culture seemingly obsessed with inclusivity and the idea of group think over the individual and valuing ideology over aesthetics?’ Keep reading the essay by #BretEastonEllis via link in bio. ‘Makeover Madness’ by #StevenMeisel, Vogue Italia July 2005.
#TheNextChapter
#TheDNAissue


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